#Letterpress chicago series#

(312) Status Currently Off View Department AIC Archives Artist Charles Sumner Frost (Architect) Title Charles S. For further information, consult the FAQ.Ĭontact the Ryerson and Burnham Art and Architecture Archives: At this late period in his life, Frost’s work was mainly the remodeling of buildings which he had designed earlier in his career.įind all Charles Sumner Frost digital images.Ĭollections may be accessed in the Franke Reading Room of the Research Center at The Art Institute of Chicago, by appointment only. This single volume letterpress copybook contains Frost’s copies of bills for services rendered, contract prices, cost breakdowns for contractors’ bids, and other financial matters between 19. Granger, Frost was well known for designing railway stations in the Chicago region. In a subsequent partnership with Alfred H. The firm produced such notable buildings as the Union League Club and the Newberry Library, as well as several buildings for the University of Chicago. This project was produced through the craft and creativity of twelve printers around the country, with the help, gumption, and know-how of countless others, passed down by job-printers, collectors, and hobbyists over the last several centuries.Charles Frost (1856–1931) established a sixteen-year architectural partnership with Henry Ives Cobb in Chicago in 1882. All the elements were then collated, bound, stapled, and cut, and the 3-Packs assembled. The covers and flyleaf sheets were shipped back to LCP, where light tan Graph Grid interior pages, printed on Finch Opaque Smooth “Bright White,” were waiting. The printers utilized any and all methods at their disposal, with the only dictate being that they print a 2-color design using our specified red & blue inks. Lake County Press, of Waukegan, Illinois, pre-printed the Field Notes elements on the exteriors and interiors of the cover stock, which was then trimmed down from standard 26″ x 40″ press sheets to 8.5″ x 13″, with the art arranged 2-up on a sheet. Skylab Letterpress of Kansas City, Missouri printed our designs for each book’s flyleaf, including a reproduction of a border from the Bay Psalms Book (1640), thought to be the very first book printed in the American colonies. One cover by Starshaped Press of Chicago, Illinois. One of two by Erin Beckloff of Springboro, Ohio. Includes one of two cover designs by MATTER’s Rick Griffith of Denver, Colorado. One of two by Ben Blount of Evanston, Illinois. Includes one of two cover designs by Springtide Press of Tacoma of Washington, One of two by Brad Vetter of Louisville, Kentucky.

One of two by Mama’s Sauce of Orlando, Florida. One of two by Genghis Kern of Denver, Colorado.

Includes one cover designed by Full-Circle Press of Nevada City, California. If you haven’t done so already, please take a few minutes to meet the creators of this edition in the short documentary film Field Notes produced to accompany this release. The results are as varied and thoughtful as the participants involved.Ĭontinuing a tradition embossed into the history of American letterpress printing, the layouts, themes, and messages are highly personal statements about heritage, geography, tradition, and social issues, and they also demonstrate the diversity and strength of today’s letterpress community.

With the help of their friends at Finch Paper of Glens Falls, New York, and The French Paper Company of Niles, Michigan, each shop was shipped a different color cover stock (all from French’s Pop-Tone line) and specified the same two ink colors (Rubine Red and Process Blue) for all of them.

#Letterpress chicago series#

This series demonstrates a wide array of craftsmanship, ingenuity, and love for the age-old and tactile process of letterpress printing. Field Notes’ 48th Quarterly Limited Edition for the Fall of 2020 is the “United States of Letterpress,” which features the work of nine independent letterpress shops from across America.